2012- my first full calendar year with the blog. A lot of new a cappella adventures for me personally, but also for the a cappella world in general.
Let’s begin with the 2 best stories of the year in a cappella:
1) Pentatonix blew up, y’all. If you thought Straight No Chaser was the group most likely to bring a cappella to the biggest chunk of the public, you were wrong. While SNC has peaked at number 29 on the Billboard Top 200 Albums chart, Pentatonix surpassed that mark in 2012, landing as high as number 14, number 5 in overall digital album sales, and number 2 for independent albums. Then, approximately 5 months later, their Christmas EP hit #45 on the Billboard Top 200 Albums chart, with peaks at number 5 for independent album and number 8 for holiday album. In the past few months, they’ve made appearances on the Tonight Show, the Katie Couric show, and the Talk, among other shows. They’ve also toured all over the country. Did I mention their YouTube channel has over 42 million– MILLION— views.
So, congratulations to Pentatonix for finally, unequivocally, and with appropriate humility and sense of self, breaking a cappella music into a new tier of mainstream success. Plus, they put out great YouTube videos at a surprisingly robust rate.
2) Remember when Mickey Rapkin wrote a book called Pitch Perfect, and the nerdiest of the a cappella nerds (myself included) rushed out to buy it and then enjoyed it, but were not necessarily blown away? Yeah. That book has been erased by the movie of the same name. A movie which took in over $5 million in its limited release opening weekend in the U.S. A movie which, as of today, has grossed more than $64 million at the box office in the United States and another $20 million abroad (according to Box Office Mojo). Oh, and it was nominated for the “Favorite Comedic Movie” People’s Choice Award, Rebel Wilson was nominated for Best Actress in a Comedy by the Broadcast Film Critics Association Awards, it got a very respectable 80% rating from Rotten Tomatoes (compilation of movie reviews from a variety of sources), and there’s talk of a sequel. Did I mention the soundtrack hit number 1 on the Billboard Soundtrack chart?
There’s a slew of Pitch Perfect content on CASA which is worth checking out, seeing as how it was written by people who love a cappella music as much as you do.
Congratulations are certainly in order to producers Elizabeth Banks and Paul Brooks, director Jason Moore, screenwriter Kay Cannon, and especially to our own aca community members, and film music staff, Deke Sharon, Ed Boyer, and Ben Bram. By the way, if podcasts are your thing and you’re missing a cappella content on the pod-web-tubes (see my later comments), there was an interview with Ms. Cannon (the screenwriter) which you can check out here.
Other Noteworthy (not the group) Stuff in 2012
Books– There were a number of a cappella books released in 2012 which are worth checking out. The most important one, which I am still working my way through, is one which most arrangers should consider a necessary addition to their collection. A Cappella Arranging, written by Deke Sharon and Dylan Bell, is a true textbook on the art and science of arranging for contemporary a cappella, and it is written in a thoughtful, accessible, and fun way with examples and diagrams. I’m sure it is available from numerous online outlets, but I bought mine here. It is a terrific value and worthwhile investment.
Other books worth checking out (and which I have purchased, but not yet read) include Brody McDonald’s “A Cappella Pop” and “The A Cappella Book” by Mike Chin and Mike Scalise of the A Cappella Blog. And if you still haven’t read “AcaPolitics” by Stephen Harrison, you should pick that up as well. It is the first, and to my knowledge only, fictional book about the collegiate a cappella scene and it does resemble the Pitch Perfect movie (which it predated).
Festivals– As the global a cappella community becomes more connected, the number of festivals across the world have grown. Here in the U.S., CASA introduced 2 new (or revamped) major festivals, BOSS (Boston Sings) and Acappellafest (Chicago) which were, by all accounts, very successful. Other festivals of note occurred in Toronto, London, Sweden, Australia, and Taiwan, among many other places. An international collaboration between myself and Florian Städtler resulted in this list of as many international festivals as we could compile for the year. We hope to get updates going for 2013 soon.
It’s also worth mentioning that the Contemporary A Cappella Recording Awards (CARAs), issued each year by the Contemporary A Cappella Society, were announced in a live ceremony at this year’s Boston Sings festival, and it appears CASA intends to do the same in 2013.
SoJam celebrated its 10th anniversary with an all-star concert featuring Fork, Pentatonix, and the Edge Effect, among others.
Sing Strong announced that it will feature not one, but two festivals in 2013, one each in Washington D.C. and Chicago.
Web– There were a number of new blogs and other web resources devoted to a cappella music, including:
There was the controversial list of the “coolest” people in a cappella generated by the A Cappella Blog, and a number of streaming a cappella performances including, on the same weekend, one from the Los Angeles A Cappella Festival and one from Denmark by Postyr Project (my takes on these here and here, respectively), in April, the House Jacks’ 20th anniversary concert, and then SoJam X in November.
At one point, Overboard was a group of guys from the Boston area who did a series of free songs every Friday for a year, who released a brilliant compilation of Beatles tunes reimagined to tell a story, you know- a group with a startling lack of vision (heavy dose of sarcasm). In 2012, the members of that group were everywhere. First (and to be fair, it was late 2011), founder Nick Girard joined The House Jacks to cover both VP and tenor (and a few other parts in their live show). Because, you know, that’s totally doable. Then, a group called Blueprint, featuring OB members Alfredo Austin, Jeff Eames, and Caleb Wheldon dropped an acabomb at BOSS, followed by a stunning 5-song EP which yielded a track (“Sweeter”) for SING 9. Not too bad.
Later in the year, the talented Mr. Austin joined a new group called The Exchange, joining with established a cappella singers and personalities like Christopher Diaz, Richard Steighner, and Aaron Sperber. This group toured the world, released a number of videos with varying levels of silliness, from this to this to this.
Lastly, Overboard itself tried some new things, with the permanent addition of Eric Morrissey to replace Jeff Eames, and the temporary/permanent(?) addition for many gigs of Johanna Vinson (of Divisi, Delilah, and Musae) and Donovan Davis.
Talented jazz-y group Simply Put called it quits, Duwende said goodbye to an original (and very talented) member, Ari Picker, and Dan Ponce (founder of Straight No Chaser) helped produce a new group called Gentleman’s Rule. Musae released their debut album, as did The Executive Board.
The Swingle Singers said goodbye to longtime bass Tobias Hug (11 years), and welcomed new bass Edward Randell.
The Sing Off China was a thing. There were a series of excellent blog posts following it here.
Sled Dog Studios held 2 separate production workshops, called Next Level, which featured talented instructors including Dave Longo, Tom Anderson, James Cannon, Tat Tong, Chris Crawford, Dave Sperandio, and Ben Stevens.
The ICCA’s have added a new region, the Great Lakes Region, and ICHSA added 2 new semifinals. The SoCal VoCals won ICCA’s for an astounding third time, and Vocal Rush from Oakland School for the Arts.
Six Appeal won the 2012 Harmony Sweepstakes. They will be performing the national anthem at the Sugar Bowl on Jan. 2, 2013.
Emerald City Productions released a benefit a cappella album for kids called “Sing Me a Song,” the proceeds of which go to organizations devoted to Cerebral Palsy research. The album features a cappella superstars like Nota, Overboard, Cluster, Rajaton, Peter Hollens, Postyr Project, and others. There’s some great insight about the project from Danny Ozment here, and I can tell you that my kids (ages 4 and 20 mo) love the album.
Voices Only Forte, a compilation of non-scholastic a cappella music from all over the world, was released. Corey Slutsky from Voices Only also put together this benefit track, the proceeds of which benefit the Intrepid Fallen Heroes Fund.
At the end of the year, CASA President Julia Hoffman stepped down, and she will be replaced at the helm by Tom Anderson in 2013.
The Worst of 2012
Sadly, members of the Persuasions (Jesse “Sweet Joe” Russell), the Penguins (Cleve Duncan), the Cadillacs (Earl Carroll), the McGuire Sisters (Dorothy McGuire), and (Dion and) the Belmonts (Fred Milano) all passed away. These groups were critical to the history of modern a cappella music.
On a far less tragic, but still disappointing, note the Mouth Off podcast apparently went on an indefinite and stealthy hiatus. It’s hard to say exactly what happened, because there didn’t appear to be much explanation via Twitter, Facebook, etc., but presumably it was related to Christopher Diaz being extraordinarily busy traveling and touring the world with various groups and to various festivals.
My 2012 in a cappella
– I became a reviewer for RARB
– I wrote a few pieces for CASA (here, here, here)
– I attended my second a cappella festival, the very first Boston Sings (BOSS)
– I began the Spotlight series on this blog and got to interview some terrific producers and performers.
– I got to meet some really great people in the a cappella community, something I hope to do a lot more of in 2013.
I’m sure there was a ton of other newsworthy content which happened in 2012. Feel free to leave me some reminders or jabs in the comments section.
Happy New Year to everyone, and here’s hoping to bigger and better things for a cappella music in 2013!